Champaklal as an artist
Beauty is as much an expression of the Divine as Knowledge,  Power or Ananda. - Sri Aurobindo
 
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  Beauty is Ananda taking form -but the form need not be a physical shape. One speaks of a beautiful thought, a beautiful act, a beautiful soul. What we speak of as beauty is Ananda in manifestation; beyond manifestation beauty loses itself in Ananda or, you may say, beauty and Ananda become indistinguishably one.

-Sri Aurobindo

Looking Back : The Hand of Grace

 


Sketch by The Mother

 

 I was a simple lad, somewhat self-centred, unable to mix freely with others, with little understanding of things. I had no interest in studies. Unfortunately my teacher happened to be anything but agreeable. Another teacher was a friend of my father and he felt he could exercise all rights upon me and say what he chose. In the full class he would ask me several questions and mock at me saying that I had grown only in body but not in mind. Others would naturally laugh. He would join them. I could do nothing about it except pray to God to reduce my body. But He does not seem to have heard my prayer. My body continued to be robust and I was known as Ganesh.
  When I was 15 (1918), my maternal uncle opened a study-home, abhyasagrha, where students would stay the whole day except during food timings when they would go to their respective homes. I joined there and was happy. After some time the uncle died. As I said to you on another occasion, this uncle used to go to a Shiva temple for Puja for one month every year. When he passed away, my father asked me to go, which I did on the condition that after the month was over and I returned to town, I would not join school. He agreed. At the end of the month, I stopped going to school but continued in the abhyasagrha.
  
Somehow, a copy of Ramakrishna-Kathamrta came into my hands at this time and I devoured it avidly. I lost interest in everything. But I retained my interest in the akhada, gymnasium, which was popular in our town and where I was regularly going, not so much for doing the exercises as to enjoy the freedom of the place. There I met one Punamchand, a Sandow, a very popular figure. I learnt that he not only looked after the exercise of the boys, but also followed the Yoga of Sri Aurobindo. I met him at his house. I was much influenced by him. Mother was to tell me later how hard she had to work to remove his influence over me. His influence remained with me till 1930when I was 27.
   Some time later Dikshit -a very respected figure in the educational circles during those days -came there and met Punamchand. Both of them decided to go to Broach. Punamchand asked me to proceed with Dikshit and said he would follow, along with his wife. My father had no objection, but my mother demurred and she was supported by her brother. This uncle had a good relation with Dikshit. And when Dikshit learnt of this reluctance to send me, he came to my father and said to him: I am asking for bhikti; give me Champak. He is a jewel wrapped in rags. Father consented. That was how I left my home when I was 17, and went to the Ashram in Broach.
  This Ashram was on the island of Kansia, a few miles from Broach Town. It was a fine place on the estates of Kashibhai (father of Kamala). He was staying there in order to build up good samskaras and used to invite spiritual personalities to that place. Kamala was then 5. Dikshit's wife and son were already there when Dikshit and I reached the place Later, Punamchand and his wife, and Chiman, the elder brother of Kesarimul, arrived. Kantilal, brother of Vasudha, left his college and joined. Also came Natwarlal. Though in the beginning we had separate kitchens, after some time there was one joint kitchen along with the Kashibhai family. The director of the Ashram was Dikshit. A book can be written about what I learnt from him and the history of the Ashram.
   Kashibhai's brother Haribhai was living in Broach and he was a big leader at that time; many important men used to visit them and i remember seeing C. F. Andrews there at his place. Sri Aurobindo looked upon Haribhai as something exceptional. He gave instructions to Haribhai in sadhana even though he had direct contact with Swaminarayan after retirement from his political life. I learnt that the instructions were such that Haribhai could go his own way helped by these instructions.
   Both Kanti and I had been to Haribhai's house on the day of Ramakrishna Jayanti. We meditated there. Our desire to see Sri Aurobindo increased so much that I wrote to my aunt Motibai about it. She had loved me very much from my childhood and I felt I must inform her. I did not want anything from home. She did not reply; I learnt later 1hat she had not received my letter at all.
   I told Dikshit that we meant to go walking. He declined to send us that way, alone. He talked to Punamchand and decided that all of us should start together. So Dikshit, Punamchand, his wife Champa, Kantilal, Natwarlal, Zaverben whose husband was looking after Kashibhai's land, Chimanlal (Kesarimul's brother) and myself form a the group. Dikshit's aunt's son and Dikshit's son came but they went back from the next village.
  We came to Navasari where Punditji, a disciple of Motilal Roy of Chandernagore, was running an Ashram and publishing books in Gujarati. We stayed there for a while. I did not know what the elders of our party talked to him, but I learnt that we were to prepare sandals on the way, sell them and go further on the proceeds. Kanti knew how to prepare sandals. So one big bag of leather was secured; we had to carry it by turns. Once while passing on a bridge over a river, Kanti was so tired that he wanted to throw away the whole bag into the waters! Somehow he did not do that. At last we came to Bilimoria from where three of us, myself, Kanti and Natwar, were to be sent by train to Bombay. I learnt that Champa's ornaments were pledged in the town and with the money so procured, tickets were purchased for us to go to Bombay. There we went to Ghatkoper where a businessman, almost a disciple of Dikshit, was living in his own bungalow. Dikshit had given us a letter of introduction to him. We took a letter from a high railway officer, Motilal Mehta, to one Narandas (C.I.D.) in Pondicherry. We were to stay at his place on arrival at Pondicherry. How we met him and what happened subsequently l shall tell you next.

  By the way, in the course of our journey we all had gone for bath into a river. Zaverben, a relation of Kashibhai in our party, came with us saying that she knew swimming. As I was swimming and enjoying myself, I suddenly noticed that something was going wrong with that lady. I went near her, but as soon as I went close, she caught hold of me; somehow I extricated myself and managed to pull her back into shallow waters. I do not know how I did it or how I got that strength and saved myself. Obviously I had to come to Pondicherry and the Grace worked in so many ways.     

As for Leonard de Vinci, Michel Angel and Raphael, I cannot put them on the same level. The two first are far greater than the last. They both belong to the world of creative force, Leonard with more subtlety and quiet, deep vision and purity, Michelangelo with more force and power especially in his sculptures which are incomparably magnificent. Raphael is more mental and superficial.

-The Mother

 
All extracts and quotations from the written works of Sri Aurobindo and the Mother and the Photographs of the Mother and Sri Aurobindo are copyright Sri Aurobindo Ashram Trust, Pondicherry India (605002)